I purchased this a few days ago, and wanted my opinion to not be too hasty.

The problem’s less that they succumb to nostalgia, though they may, than how massive scale and routine professionalism suck the content from the music–suck the need for content from the music. It does indeed seem like the product of considerable toil: This thing has been in progress for something like three years now, and between its revisions, reconstructions, and post-election rewritings, it plainly benefits from more attention and effort than any U2 album since All That You Can’t Leave Behind. They’ve swept themselves up in their own bigness; it subsumes them. The incorporation of a riff from a HAIM track on ‘Lights Of Home’ feels somewhat lazy and crass as does the clunky, predictable guitar rock that permeates the verses of ‘You’re The Best Thing About Me’. What separates the pair, despite sharing many thematic and musical similarities, is the band's greater appreciation for dynamics and restraint, appearing to have rediscovered their identity in the process. Are! And for another, when U2 calm down and allow themselves to be themselves, the results are frequently fantastic. We can make marginal distinctions, however, and their fourteenth album, Songs of Experience, clicks into place more boldly than Songs of Innocence did three years ago. Torres Describes Harrowing 48 Hours Trying to Return Home, The Viral Countdown: The Race to React to COVID-19, The Cost of Coronavirus: How Young Guv Ended Up Stranded. This, one presumes, accounts for the inclusion of more familiar-sounding U2 barn-burners such as “Love Is Bigger Than Anything in its Way,” which sounds almost exactly like one expects a U2 song with that title would, and lead single “You’re the Best Thing About Me,” which has already failed to take hold of the popular imagination. Bono does not have as strong a voice as he used to but his maturity lends itself well to songs like "Get Out Of Your Own Way" and my particular fave, "Summer Of Love". But on Songs of Experience U2 ignore their past and instead saunter ahead with hooking melodies and sing-along choruses. Notify me of follow-up comments? Music Review: U2 - Songs Of Experience. They call one song “Love Is Bigger Than Anything in Its Way,” a platitude that suits. ... completely disapointing recording from one of my all time favorite bands. Get backstage sneak peeks and a true view into our world as the fun and games unfold. Jacknife Lee and Ryan Tedder apply compression and electronic gloss to their signature ringing echo, covertly adapting classic U2 style to the contours of digital sound. It may not even share the same ambition as ‘No Line On The Horizon’ however, it’s an undeniable improvement on their two misfiring predecessors, marking this collection as their most cohesive and heartfelt in almost 15 years. Opening track “Love Is All We Have Left” invokes a distinctly Justin Vernon-ish vocoder, an homage we might dub “Bono Iver.” And “Summer of Love”—on which Bono croons “I been thinkin’ ‘bout the West Coast/Not the one that everyone knows”—suggests someone just discovered Born to Die. It’s clear in the subwoofer-trashing bass that undergirds “The Blackout,” the liveliest Adam Clayton has sounded in ages. A beautiful continuation of the themes from Innocence. Arriving preloaded onto iPhones worldwide, it caused an almost unprecedented amount of controversy and seething darts of vitriolic rage were thrown the band’s way, sparking endless debates about privacy in the digital age. Tempos are alert, riffs punchy, melodies sharp. It’s not an album that courts new fans by radically changing U2’s style; instead, it reaffirms the sound that has been filling arenas and stadiums for decades. I don’t know this band anymore. If experience has taught U2 anything, it is that a great new song can still feel like the first day of the rest of your life.

To say they’re not what they were is a gross understatement. Bono’s pointed lyrics helped illuminate a handful of tracks but in truth these were the only aspects of the album to really savour. "Songs Of Experience" brought me right back to my days as a morning DJ in NY during my College Days when I was on air for the release of "The Joshua Tree". They just seems to be writing the music they enjoy, about the things they care about, and it’s done them a world of good. Generally favorable reviews The Return Of The Wytches, Busta Rhymes - Extinction Level Event 2: The Wrath Of God. The band of four has had their ups and downs over a sometimes turbulent career spanning the better part of four decades now. Three years later and its successor ‘Songs Of Experience’ feels less of a companion piece and more like the record they were meant to make in the first place. Rock’n’roll!”—the “you” there is America, naturally). They record albums as excuses to tour, they embark on tours as excuses to transport massive steel structures from city to city and set world records for Largest Stage Ever. © 2020 METACRITIC, A RED VENTURES COMPANY. Reviewed in the United States on April 24, 2020.

Not as strong an album, in my opinion, but I love it nonetheless, and can’t listen to SoI without immediately following up with this. (Interscope) This companion piece to 2014’s Songs of Innocence … But these Songs of Experience lack William Blake’s moral fervour or rage.

Its pop-rock disguised as Important Rock and the disguise is transparent. What happened U2? Nothing specific they do matters. With these songs, about a single tour should do. Didn't rock at all, Reviewed in the United States on May 20, 2018.

Such a completely disapointing recording from one of my all time favorite bands. The first two songs are a little on the 'light' side --- but from the 3rd track on I was hooked with great tunes, clever lyrics, and tight sound production. var addthis_pub="4a0dbe61011c49a9"; There's not much new musical ground U2 can break and not much new that can be written about one of the most well-known and popular rock bands in history. Songs of Experience, clicks into place more boldly than Songs of Innocence did three years ago. In the 2016 mockumentary comedy Popstar: Never Stop Never Stopping, written by and starring The Lonely Island, a Justin Bieber-style mega buffoon named Conner4Real agrees a ludicrous deal with an electrical appliances company to upload his new album onto their products.
Retro-conning the existing Songs of Experience material to suit the political climate wasn't the easiest task and the album often shows its seams, particularly when Bono decides to tackle the crisis head-on. “We weren’t as great as we figured we were.”. Optimistic without being unrealistic? Released on 1 December 2017, it was produced by Jacknife Lee and Ryan Tedder with Steve Lillywhite, Andy Barlow, Jolyon Thomas, Brent Kutzle, Paul Epworth, Danger Mouse, and Declan Gaffney. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. The fact that the lyrics elsewhere are not always particularly explicit in their subject matter may be one of the record’s few downfalls. Routine would-be anthems like “Love Is Bigger Than Anything In Its Way” and the assonant pairing of “You’re The Best Thing About Me” and “Get Out Of Your Own Way” simply piggyback on tired old modes, reflecting their former glories in the way that modern glass-box buildings simply serve as mirrors for the more dynamic and beautiful architecture of previous eras. Could they really hit the road, fill the stadiums, and touch the souls of every living human in the audience with anything less? Perhaps for the first time in their long and illustrious career, U2 are content with simply being themselves and right now, that appears to be more than enough. But it’s precisely this manifest ambition that makes Songs of Experience dispiriting. ‘Songs Of Experience’ doesn’t have the sublime depth of ‘The Joshua Tree’ nor the jagged post modern edge of ‘Achtung Baby’ or ‘Zooropa' and it would be ludicrous and rather churlish to suggest so. It’s quite another to fail when you’re giving it everything. Politics are addressed in earnest, to ludicrously ill-judged effect. The song from which the excerpt was taken features here in the way of ‘American Soul’ but whereas Kendrick’s ‘XXX’ was undercut with fractured piano chords and a steady trip-hop beat, the former reveals itself to be something quite different. U2 albums have an odd way of flattening out stylistic particularities: deviations from a norm reinforce the norm when the band treats them as deviations. Despite the blatant bid to sound modish and rejuvenated, U2 cannot help in certain respects but sound the same.

Ariana Grande Delivers Sultry Yet Forgettable R&B on. This band knows what it means to be bigger than anything in its way. It is hard to believe that U2 were galvanized to write Achtung Baby! In an age of hot takes and cold snark, the band’s grand earnestness feels like the artifact of another time, an art lost to nearly everyone save a few fellow statesmen (Mr. Springsteen comes to mind). Taken as a whole, Songs of Experience isn’t a bad U2 album--just an uneven one. The well ran dry a long time ago, and they stopped trying after Pop failed. By Matt the Raven The well ran dry a long time ago, and they. Lead single “You’re the Best Thing About Me” crackles with crunchy fuzz guitar and shrewdly integrated strings provide counterpoint, but it sounds like the usual soaringly hooky arena rock track.

What happened U2? They’re so big specific albums don’t matter. La photo de couverture, avec le fils de Bono et la fille du guitariste The Edge se tenant par la main, illustre à merveille l'album d'un groupe à nouveau uni et solide après quatre décennies de montagnes russes their latter-day albums are bland, cursory collections of gargantuan arena-rock generalization. Discouraged without being depressed? It contains fleeting proof of a band still capable of making sparks fly. A showstopping journey to the Dutch showcase... "I had never experienced such a friendly environment full of support and community...". Later, Kendrick Lamar declaims a preacherly interlude between “Get Out of Your Own Way” and “American Soul”; the latter deploys bluesy garage riffage whose distortion must be what gave Bono the confidence to bellow, “For refugees like you and me, a country to receive us/will you be our sanctuary, REFUJESUS!”. They want to seem in touch; they also want to canonize another classic. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Bono and the Edge have said that lately, innovation has been less evident in rock music than elsewhere—in “R&B, hip-hop, and pop,” according to a profile of the band in the New York Times. They call one song “Love Is Bigger Than Anything in Its Way,” a platitude that suits. But truth be told, underneath the gimmicks lurks an upbeat and catchy pop record. boasts a few keepers: “Summer of Love,” a quiet stunner, builds gradually over a trebly lick and a marvelous Adam Clayton bassline; when the strings sweep in, guitars and violins reflect off each other to form a dazzling prism of aural light. "Songs Of Experience" brought me right back to my days as a morning DJ in NY during my College Days when I was on air for the release of "The Joshua Tree". Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Despite its flaws, Songs of Experience is an audibly better album than either of its predecessors. However, despite 2000’s ‘All That You Can’t Leave Behind’ and 2004’s ‘How To Dismantle An Atomic Bomb’ being lauded critically — the former is now generally considered one of their finest — this success was followed in 2009 by the misfiring ‘No Line On The Horizon’.

By comparison, it couldn’t help but sound dull.


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